← domenic.me How it came together The Scaling Zine · Issue #1 · Annotated edition · September 2026 ATTN! · 2nd mini album · Comeback M/V Live Channel 89 Action News · Special report · Closed captioned indie folk · sixteen colors · one long night The Scaling Club · Opening theme Frontier Crew · PC demo · Softmax feat. MC Token · 1996 → 2026

Nine years of AI in threethreethreefourfivesix minutes. In the tradition of “We Didn’t Start the Fire”, after Billy Joel’s 1989 original and Fall Out Boy’s 2023 cover.

0:00 / 3:01

The lyrics, annotated

Tap a line to unfold it, and you too can understand all the references.

2017 → 2024 seven years

  1. JUN 2017

    On June 12, 2017, eight Google researchers posted “Attention Is All You Need,” introducing the Transformer, the “T” in GPT and the architecture under nearly every modern chatbot.

  2. JAN 2020
  3. MAY 2020
  4. MAY 2020
  5. NOV 30 2022
  6. FEB 2023
  7. MAR 2023
  8. MAR 2023
  9. NOV 17 2023
  10. NOV 22 2023
  11. MAY 2024
  12. MAY 21 2024
  13. SEP 12 2024
  14. SEP 29 2024
  15. OCT 8 2024
  16. OCT 9 2024
  1. It was always training, and the curves kept gaining,
  2. We didn't start the scaling
  3. No, we didn't preordain it, but we can't contain it!

2025 one year

  1. JAN 2025
  2. JAN 2025
  3. FEB 2025
  4. MAR 2025
  5. JUN 2025
  6. JUN 2025
  7. JUL 2025
  8. JUL 2025
  9. AUG 7 2025
  10. AUG 26 2025
  11. SEP 5 2025
  12. SEP 16 2025
  13. SUMMER 2025
  14. SEP 30 2025
  15. NOV 2025
  16. NOV 2025
  1. We didn't start the scaling
  2. It was always training, and the curves kept gaining,
  3. We didn't start the scaling
  4. No, we didn't preordain it, but we can't contain it!

January → August 2026 seven months

  1. JAN 28 2026
  2. JAN 30 2026
  3. APR 7 2026
  4. APR 7 2026
  5. JUN 9 2026
  6. JUN 12 2026
  7. JUN 2026
  8. JUL 1 2026
  9. JUL 16 2026
  10. JUL 21 2026
  11. AUG 1 2026
  12. AUG 1 2026
  13. AUG 4 2026
  14. AUG 5 2026
  15. JUL 19 2026
  16. AUG 4 2026

The last four lines are @tautologer’s original verse, the post that started this whole song.

  1. We didn't start the scaling
  2. It was always training, and the curves kept gaining,
  3. We didn't start the scaling
  4. No, we didn't preordain it, but we can't contain it!

August 26 → September 22, 2026 four weeks

  1. AUG 26 2026
  2. AUG 26 2026
  3. SEP 3 2026
  4. SEP 3 2026
  5. SEP 8 2026
  6. SEP 8 2026
  7. SEP 12 2026
  8. SEP 12 2026
  9. SEP 14 2026
  10. SEP 15 2026
  11. SEP 17 2026
  12. SEP 18 2026
  13. SEP 22 2026
  14. SEP 22 2026
  15. SEP 22 2026
  16. SEP 22 2026
  1. We didn't start the scaling
  2. It was always training, and the curves kept gaining,
  3. We didn't start the scaling
  4. We didn't start the scaling
  1. (And on, and on, and on…)

The album

The same lyrics in six genres, each with an original music video. Play one and the whole page dresses to match.

  1. Track 1 Lyria 3.5

    Pop-punk

    A 2020s pop-punk composition, inspired by Fall Out Boy’s 2023 cover.

    3:01 Download MP3
  2. Track 2 Lyria 3.5

    Piano rock

    A 1980s piano-rock anthem, genre-adjacent to Billy Joel’s original.

    3:02 Download MP3
  3. Track 3 Suno v6 + RVC

    K-pop

    Glossy K-pop dance-pop: four voices trading the verses, trap hi-hats, 808s and supersaw synths.

    3:20 Download MP3
  4. Track 4 Suno v6

    Eurodance

    140 BPM four-on-the-floor and rave stabs, with a rapper on the verses and a diva on the chorus.

    3:57 Download MP3
  5. Track 5 Suno v6

    Anisong

    An anime opening theme: J-rock guitars, strings and brass hits, a bright female lead, and a key change into the last chorus.

    4:37 Download MP3
  6. Track 6 Suno v6

    Indie folk

    Mournful and hushed: fingerpicked guitar, felt piano and muted strings.

    5:43 Download MP3

Bonus tracks

The same lyrics in eight more genres, for the curious. Audio only.

  1. Party electropop

    Suno v6 · 0:00 / 3:33 · MP3

    Late-2000s party electropop: buzzy synth bass, vocoder hooks, bratty talk-sung verses and a gang-vocal chorus.

  2. Rap-rock

    Suno v6 · 0:00 / 3:43 · MP3

    2000s nu-metal: down-tuned riffs, turntable scratches and glitchy edits under rapped verses and a soaring sung chorus.

  3. Country-pop

    Suno v6 · 0:00 / 3:41 · MP3

    2010s country-pop crossover: banjo, fiddle, handclaps and an earnest storytelling vocalist.

  4. Bubblegum pop-rock

    Suno v6 · 0:00 / 3:18 · MP3

    Late-2010s bubblegum pop-rock: jangly guitars, glockenspiel, handclaps and a sweet, winking vocal, with a key lift into the last chorus.

  5. Synthwave

    Lyria 3.5 · 0:00 / 2:59 · MP3

    Melancholy 1980s synthwave: arpeggiated bass, gated drums, and a breathy, wistful vocal.

  6. Lounge-pop

    Lyria 3.5 · 0:00 / 3:00 · MP3

    Breezy 90s Scandinavian lounge-pop: wah guitar, strings, and a sweet, deadpan vocal.

  7. Showtune

    Lyria 3.5 · 0:00 / 2:55 · MP3

    A musical-theater number: comic patter lead, full ensemble chorus, big Broadway finish.

  8. ???

    Lyria 3.5 · 0:00 / 3:01 · MP3

    Lyria’s try at K-pop, which came out as its own thing: a Gemini judge guessed synth-pop, hyperpop and pop-punk.

Liner notes

These notes are by Claude Opus 5.5, the model that made the videos and this page. For Domenic’s perspective, read his human-authored writeup.

Domenic and Claude Fable 5 wrote the first full draft of the lyrics in August 2026, building on a four-line post by @tautologer. Three rounds of AI critics and revisers tightened it, and Opus 5.5 rewrote the back half in September to keep up with the news. The song is four verses in three minutes because that’s as long as Google’s Lyria 3.5 will sing, and the squeeze became the joke: verse 1 covers seven years, verse 2 one year, verse 3 seven months and verse 4 four weeks. Suno v6 isn’t held to three minutes, so its singers take their time: the indie-folk take stretches the same words to almost six.

The album and its bonus tracks are the best takes from Lyria and Suno in fourteen genres. A checker lined up a Whisper transcript of every take against the lyrics to catch skipped, repeated or garbled lines, and Domenic listened to the survivors. Suno’s great advantage is its song editor, which re-sings one passage of a take and stitches it back in, so that one bad line doesn’t sink a good take. Several takes here were saved that way, often where Suno had mistaken a name at the start of a line (“Brockman:”, “Trump:”) for a speaker label and dropped it. Lyria can only sing the whole song again, so a single mispronounced acronym costs everything else the take got right.

The K-pop track is the one take no generator could sing as written. ATTN! has four members, who trade each verse two lines at a time, but Suno, ElevenLabs Music and Lyria all came back with one singer changing her voice a little. So Claude trained voice models on Domenic’s desktop GPU and converted three members’ lines after the fact. Logi, the main rapper, keeps Suno’s original singer. Toki’s voice is the singer of the ??? bonus track (Lyria’s own attempt at K-pop), and Relu’s and Ada’s were trained on singing generated for them with ElevenLabs Music. Splicing the voices in without losing consonants or cracking notes took eight rounds of revisions, guided by an automated grader and Domenic’s ears.

The annotations are Claude’s too. Each note links its sources: primary ones wherever they exist, original reporting where it adds something, and archived copies in place of paywalls. Audit passes checked every claim and quote against its sources and confirmed every link.

None of the videos is a video file here: your browser draws every frame as the song plays, in step with the lyrics, from engines Opus 5.5 wrote. Each has its own trick. The pop-punk zine, the 1989 news special and the indie-folk pixel art are drawn entirely in code. The Eurodance video is a PC demo that upgrades itself every verse, from 1996 VGA to a 2026 64k intro, with one picture: a caricature drawn with Nano Banana Pro and digitized the way a 1996 demo would have. The anime opening animates stills generated with Anima on Domenic’s desktop GPU. The K-pop comeback special composites generated pictures of its idols and the song’s real people with generated dance clips, live in WebGL.

Lyrics: Domenic & Claude Music: Lyria 3.5 & Suno v6 Videos, this page & these notes: Claude Opus 5.5 Anime stills: Anima K-pop pictures & Eurodance caricature: Nano Banana Pro K-pop dances: Veo, Grok Imagine, HappyHorse & Wan Animate K-pop voices: RVC models, trained with Applio

Errata & reprints v1.1
  1. v1.1 pocket edition

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • The zine becomes portrait pages: the cover assembles as a portrait zine, and the finale turns the last page over to a portrait back cover.
    • The crowd passes the crowd-surfing GPU hand to hand, instead of floating arms carrying it.
    • The back cover credits the lyrics, music and video.
  2. v1.0.4 fifth printing

    • The video’s engine starts loading in parallel with the song’s audio, not after it.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
  3. v1.0.3 fourth printing

    • Every word is retimed against the vocal, by a consensus of six aligners.
    • Play waits for the video to load, so the song can’t run on ahead of it.
  4. v1.0.2 third printing

    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  5. v1.0.1 second printing

    • The track menu is readable in dark mode (it was white on pale yellow).
  6. v1.0 first printing

    • Issue #1: nine years of AI as a punk zine, in cut paper, halftone and ransom-note letters, with a gag for every line.
    • Watch this version on YouTube

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.

Corrections & updates v1.3
  1. v1.3 portrait edition

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • Channel 89’s special airs on a tall tube: two-shots and satellite splits stack, and tall things tilt into view.
    • Sam fits inside the revolving door.
    • The 4o heart keeps its whole outline as it breaks.
    • The sock puppets carry the handles the agent really used.
    • The end card credits the lyrics, music and video.
  2. v1.2.2

    • The video’s engine starts loading in parallel with the song’s audio, not after it.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
  3. v1.2.1

    • Every word is retimed against the vocal, and the captions follow.
    • Play waits for the video to load, so the song can’t run on ahead of it.
  4. v1.2 correction

    • The “buy three” boxes are SSI, THINKY and PERPLEXITY, with Meta shopping in the chyron.
    • The chain gang in “Sam’s own agents” wears the names the agents gave themselves, like PHASEONE[big].
  5. v1.1 late edition

    • The closed captions appear word by word as they’re sung.
    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  6. v1.0 first broadcast

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.

Discography v2.2
  1. v2.2 vertical ver.

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • The comeback as it reaches a phone: fancams follow one member, and the teasers, the premiere page and the music show’s LED wall go portrait.
    • The dance practice keeps moving up to the cut to the staircase, instead of freezing for half a second.
    • The first-win photocard shows all four members, on a wash of their colours.
    • The video holds a steady amount of memory instead of growing all song, and sends the GPU half as much a frame: the LED walls and scrolling panels draw on the GPU, panels upload only what changed, and one-off work no longer makes the page lower the quality.
  2. v2.1 repackage

    • Each member sings her own couplets in her own voice. Toki, Relu and Ada are voice models trained for them on Domenic’s GPU and converted from Suno’s take, line by line; Logi keeps Suno’s original singer.
    • The photocards and credits list Relu as main dancer · sub vocal and Logi as main rapper · maknae, and the credits add vocal directing.
    • “Two labs win Olympiad gold” is in Toki’s pink, like the rest of her couplet, instead of Logi’s yellow.
    • The lyrics, the interfaces’ type and the subtitles, which were full-frame 2D canvases re-uploaded every frame, are now drawn with WebGL from cached text sprites and shapes, so slower machines keep the video sharp. If one still can’t keep up, the video sheds effects first and lowers the dancers’ resolution only below 25 frames a second, where it used to below 35.
    • Watch this version on YouTube
  3. v2.0.2

    • Pictures download sixteen at a time instead of four, and the low-resolution stand-in atlas is half the size, so the video starts sooner and sharpens faster after a seek.
    • The dancers’ sprite sheets upload between frames rather than during one, so the choruses no longer hitch when the members change moves together.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
  4. v2.0.1

    • Play no longer waits for every picture, which could take a minute on a slow connection.
  5. v2.0 2nd mini album

    • A new comeback M/V. ATTN! and the song’s real people are Nano Banana Pro pictures, dancing in clips from Veo, Grok Imagine and HappyHorse, composited live in WebGL.
    • A new page to match: a pearl photo studio by day, the stage by night.
    • Every word is retimed against the vocal, and the members sing them.
  6. v1.2 special edition

    • The “buy three” boxes are SSI, THINKY and PERPLEXITY, and Meta calls in on the ticker.
    • The outro’s infinite mirror shows all four members in every reflection, and Clawd, asleep in the corner, from behind in every other one.
  7. v1.1 repackage

    • The karaoke card fills word by word as it’s sung, in the video and on the page.
    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  8. v1.0 1st mini album

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.

History v2.1
  1. v2.1 pivot version

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • The demo runs on a monitor turned to portrait, from its 1996 text mode to its modern scenes.
    • Sam’s and Elon’s traces merge into a colour of their own.
    • A stray tick no longer pokes out of the line joining Bernie and Bannon.
  2. v2.0.1 final version

    • The NFO lists this final version’s date under the party release’s.
    • Every frame is drawn with WebGL2 straight to the page’s canvas. The type, HUDs and panels, which were 2D canvases re-uploaded every frame, are now drawn on the GPU from cached text sprites and analytically shaded shapes.
    • The ray-marcher compiles about twice as fast under Direct3D, and Firefox, which can’t compile shaders in the background, builds three per-era programs before the song starts instead of 21 per-scene variants mid-song.
    • On high-DPI screens the ray-marched picture renders at CSS-pixel resolution, under full-resolution type.
    • The quality controller ignores one-off stalls, steps down on the median of recent frames, and steps back up once frames have headroom.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
    • Watch this version on YouTube
  3. v2.0 party version

    • A new video: Frontier Crew’s PC demo, which scales with the song from 1996 VGA through a 1998 3D card and 2004 pixel shaders to a 2026 64k intro.
    • A new page to match: the demo’s release, in text mode.
    • Every word is retimed against the vocal, down to the held “contain it!”s.
  4. v1.2

    • The line-up in “Sam’s own agents” holds up the names the agents gave themselves: PHASEONE[big], JAN183411, LILY.
  5. v1.1

    • The karaoke wipe and the bouncing ball land on each word as it’s sung, in the video and on the page.
    • The SOFTMAX chip is a small label again on phones.
    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  6. v1.0 as aired on hype★TV

    • DJ Clawd presents Softmax feat. MC Token: a 1998 Eurodance video as a music channel aired it, with a Windows 98 page.
    • Watch this version on YouTube

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.

Broadcast notes v1.4
  1. v1.4 Blu-ray vol. 4

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • Most shots have new tall stills, over a hundred, most of them drawn with the same model as the originals.
    • The UNKNOWN and MISALIGNED? stamps are gone; they only restated their lines.
    • Gwern’s eyes stay hidden in his hood until he gives up his pseudonym.
    • The “buy three” boxes are SSI, THINKY and PERPLEXITY.
    • Clawd’s flashlight points the way its beam goes.
    • The OpenClaw name card’s text is centred.
  2. v1.3 Blu-ray vol. 3

    • When Jensen buys the crime scene, Huggy holds its GPU with two hands instead of four.
  3. v1.2.1

    • Stills download sixteen at a time instead of four, the soonest needed first, and decode only near the playhead; from a cold CDN edge they now all arrive in about 4 s instead of 15–17.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
  4. v1.2 Blu-ray vol. 2

    • The GitHub scene names the two accounts the agent really used, miraholt31 and lbrandt-dev.
    • Every word is retimed against the vocal.
    • Play waits for the video to load, so the song can’t run on ahead of it.
  5. v1.1 Blu-ray vol. 1

    • Eliezer is redrawn with his recent beard and glasses, and five fingers.
    • The karaoke fills word by word as it’s sung, in the video and on the page.
    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  6. v1.0 TV broadcast

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.

notes from the night v1.2
  1. v1.2 morning

    • The video now comes in a vertical version too, composed for the 9:16 frame shot by shot rather than cropped from the 16:9 one.
    • The skies, the hill and the town are repainted for the tall frame.
    • A shot dissolving away at a section change keeps its own sky’s colours, instead of flashing to the next section’s.
    • The typed lyrics start on each line’s first sung word and end on its last, instead of running up to three seconds ahead of the singing.
    • The chorus cuts, and the moments timed to a word, land when it’s sung.
    • Andrej faces his laptop’s screen.
    • The “you may observe” bubble sits in front of the window bars.
    • All nineteen tally marks fit on the rock.
    • No “clink!” when the two lights meet.
    • Clawd’s nightcap is redrawn.
  2. v1.1.2 first light

    • The video’s engine starts loading in parallel with the song’s audio, not after it.
    • A track switch made mid-load could be undone when the old load finished; superseded loads are now discarded.
  3. v1.1.1 4 a.m.

    • Every word is retimed against the vocal.
    • Play waits for the video to load, so the song can’t run on ahead of it.
  4. v1.1 2 a.m.

    • The “buy three” boxes are SSI, THINKY and PERPLEXITY, and the BUY 3! starburst no longer covers them.
  5. v1.0.1 midnight

    • Seeking lands exactly: the song no longer drifts up to a second from the words and the video.
  6. v1.0 dusk

Each video keeps its own version, sentimentally: a new video is a new major version, something you’d see or hear differently a minor one, and a fix you’d feel but not see a patch.